“I met Gabriel Ness at the Aesthetica Film Festival in York during my first year of university as a film major. We traded details in promise of potential future collaboration, as one is meant to do at these events–networking. These things rarely come to fruition, but in this case, Gabriel and I ended up working together on the first film I did for uni. I needed a score for thing, but couldn’t find a piece of music that really fit it well until Gabriel did the score for it. He found a way to emphasize the darkness and insanity of the characters, the sounds of the music mingling with the background track as it built up in intensity for the climax. It was a great experience working with him, and I learnt a lot about the importance of the score in relation to those moving images after the film was done and it was time to move on to something else.”